Tree Limbs

Bathed in the uncanny glow of late afternoon sun and set against a noisy highway, Interchange depicts the melancholy and isolation of a small...

The long dead ghosts of celluloid are coming back to haunt the digital space.

The fire was never threatened. It was assumed. Fed, protected, mourned in advance without ever asking what it was attached to. When the mirror...

Filmmaking icon Agnès Varda, the award-winning director regarded by many as the grandmother of the French new wave, turns the camera on...

A day in a retirement home.

Some years after filming AMOR, I returned to Italy and found the source for a new film in the architecture of Borromini and in a grove of trees with...

What lives in the space between the stones, in the space cupped between my hand and my chest? Filmmaker/stonemason. A tower or ruin of remembrance....

Older adults cannot believe the things younger people do, but they probably have forgotten they were the same way when they were younger.

In his book "1984", George Orwell saw the television of the future as a control instrument in the hands of Big Brother. Right at the start of the...

The film juxtaposes/compares two museums: The Museum of Art, Ein Harod, Israel, which Samuel Bickels (1909-1975) built there in 1948, and The Menil...

In support of experiences that are essentially common, but to which language does not easily adhere, the video passes through places that are both...

Two hands over a light.