Kurt Kren Movies

Kren in New Hampshire, New England. Together with friends he lived from the demolition of wooden houses and sale of the wood. Kren was the "nail...

At the center are takes which do not change - a tree in a field in Vermont, U.S.A. Since the film was shot over a period of fifty days, the single...

11/65 Bild Helga Philipp is an optical abstraction of an optical abstraction: Kren has simply intercut filmed movements and sections from an Op...

I took a photograph of the view out of the window and had a very large negative made from it, which I fastened to the lens hood attacement in front...

A short film by Kurt Kren.

In 9/64 O Christmas Tree Kren offers a more visually descriptive development of a Muehl "action". The images have been chosen to follow a more...

The third of the "bad home movies". Kren moved, along with his Thunderbird from New England in winter to the warmth of Texas. Part of the film was...

A silent short film by Kurt Kren.

A man's head is seen in silent close-up using single-frame shooting and time exposure.

A homage to the Austrian experimental filmmaker Kurt Kren, his two films "1000 Years of Cinema" and "Snapspots" and his way of working; and that with...

'It was in San Francisco at a punk festival. I was already high and the air was so thick in the rooms that you could cut it with a knife. I had a...

Kren shows the cinema (mentioned in the title) during and after film presentations. He uses single-frame and time exposures 5 to 30 seconds long....

Kurt Kren recorded the last television debate in the Reagan/Mondale election campaign. In the viewfinder, the television filled the entire picture,...

Kren frames the image to suggest a proscenium, with a view to the harbor that conveys a literal sense of “tele-vision”. The static...

Kurt Kren short

Kurt Kren films a photo which shows an SS officer standing on a town square which is littered with dead bodies.

This film shows, with the use of single-frames, Kren's diary-like notes from 1968 to 1976, especially his entries about the work on the three...

The making of pictures becomes the central issue in itself in that, with an analytical single-picture procedure, picture-taking tourists on Vienna's...

Hans-Peter Hochenrath and Birgit Hein made a documentary film about me for the Saarland Network and wanted me to make a self-portrait. Instead of...